Revues Ai?? comitAi?? de lecture

2015

 

2014

2013

2012

  • T. Bianco, V. Freour, I. Cossette, F. Bevilacqua, R. CaussAi??Ai??Ai??Ai??Measures of facial muscle activation, intraoral pressure and mouthpiece force in trumpet playingAi??Ai??,Ai??Journal of New Music Research, 2012
  • P. Eveno, J. Dalmont, R. CaussAi??, J. GilbertAi??Ai??Ai??Wave propagation and radiation in a horn: Comparisons between models and measurementsAi??Ai??, Acta acustica united with Acustica, nAi?? 98, 2012
  • A. Mamou-Mani, D. Sharp, T. Meurisse, W. RingAi??Ai??Ai??Investigating the consistency of woodwind instrument manufacturing by comparing five nominally identical oboesAi??Ai??,Ai??Journal of the Acoustical Society of America, vol. 1, nAi?? 131, Janvier, 2012
  • A. Mamou-Mani, S. Le Moyne, F. Ollivier, C. Besnainou, J. FrelatAi??Ai??Ai??Prestress effects on the eigenfrequencies of the soundboards: Experimental results on a simplified string instrumentAi??Ai??,Ai??Journal of the Acoustical Society of America, vol. 1, nAi?? 131, 2012

2009

  • J. BensoamAi??Ai??Ai??A reciprocal variational approach to the two body frictionless contact problem in elastodynamicsAi??Ai??,Ai??International Journal of Mechanical Sciences, 2009
  • M. Demoucron, A. Askenfelt, R. CaussAi??Ai??Ai??Ai??Measuring Bow Force in Bowed String Performance: Theory and Implementation of a Bow Force SensorAi??Ai??,Ai??Acta acustica united with Acustica, vol. 95, 2009
  • E. Schoonderwaldt, M. DemoucronAi??Ai??Ai??Extraction of bowing parameters from violin performance combining motion capture and sensorsAi??Ai??,Ai??Journal of the Acoustical Society of America, 2009

2008

  • T. HAi??lie, D. RozeAi??Ai??Ai??Sound synthesis of a nonlinear string using Volterra seriesAi??Ai??,Ai??Journal of Sound and Vibration, vol. 314, Mars, 2008

2007

  • A. Almeida, C. Vergez, R. CaussAi??Ai??Ai??Ai??Quasistatic nonlinear characteristics of double-reed instrumentsAi??Ai??,Ai??Journal of the Acoustical Society of America, vol. 121, nAi?? 1, Janvier, 2007
  • A. Almeida, C. Vergez, R. CaussAi??Ai??Ai??Ai??Experimental Investigation of Reed Instrument Functionning Through Image Analysis of Reed OpeningAi??Ai??,Ai??Acta acustica united with Acustica, vol. 93, nAi?? 4, Juillet, 2007

2006

  • R. CaussAi??Ai??Ai??Ai??Instruments de musique virtuels et modAi??lisations physiquesAi??Ai??,Ai??DAi??COUVERTE, nAi?? 340, Juillet, 2006
  • C. Vergez, P. Tisserand2Ai??Ai??Ai??The BRASS Project, from Physical Models to Virtual Musical Instruments: Playability IssuesAi??Ai??,Ai??Lecture Notes in Computer Science, vol. 2006, nAi?? 3902, Mai, 2006

2005

  • C. Fritz, J. WolfeAi??Ai??Ai??How do clarinet players adjust the resonances of their vocal tracts for different playing effectsAi??Ai??,Ai??J. Acoust. Soc. Am., vol. 5, nAi?? 118, Novembre, 2005
  • D. Ricot, R. CaussAi??, N. MisdariisAi??Ai??Ai??Aerodynamic excitation and sound production of blown-closed free reeds without acoustic coupling : The example of the accordion reed.Ai??Ai??,Ai??J. Acoust. Soc. Am., vol. 4, nAi?? 117, Avril, 2005

2003

  • C. Vergez, A. Almeida, R. CaussAi??, X. RodetAi??Ai??Ai??Toward a simple physical model of double-reed musical instruments : influence of aero-dynamical losses in the embouchure on the coupling between the reed and the bore of the resonator.Ai??Ai??,Ai??Acta Acustica, 2003

2002

  • D. Ricot, R. CaussAi??, N. MisdariisAi??Ai??Ai??Aerodynamic excitation and sound production of blown closed free reeds without acoustic coupling: the example of the accordion reed.Ai??Ai??,Ai??Journal of Acoustical Society of America, 2002

2000

  • R. Msallam, S. Dequidt, R. CaussAi??, S. TassartAi??Ai??Ai??Physical model of the trombone including nonlinear effects. Application to the sounds synthesis of loud tonesAi??Ai??,Ai??Acta Acustica, 2000
  • R. Msallam, S. Dequidt, R. CaussAi??, S. TassartAi??Ai??Ai??Physical Model of the Trombone Including Nonlinear Effects. Application to the Sound Synthesis of Loud Tones.Ai??Ai??,Ai??Acustica, vol. 86 , 2000
  • S. Lakatos, S. McAdams, R. CaussAi??Ai??Ai??Ai??The representation of auditory source characteristicsAi??: Simple geometric formAi??Ai??,Ai??Perception and Psychophysics, vol. 59, nAi?? 101, 1997
  • M. Verge, B. Fabre, A. Hirschberg, A. WijnandsAi??Ai??Ai??Sound Production in Recorderlike InstrumentsAi??: I. Dimensionless Amplitude of the Internal Acoustics FieldAi??Ai??,Ai??JASA: Journal of the Acoustical Society of America, vol. 101, nAi?? 5, Mai, 1997
  • M. Verge, A. Hirschberg, R. CaussAi??Ai??Ai??Ai??Sound Production in Recorderlike InstrumentsAi??: II. A Simulation ModelAi??Ai??,Ai??JASA: Journal of the Acoustical Society of America, vol. 101 , nAi?? 5, Mai , 1997
  • A. Hirschberg, J. Gilbert, R. Msallam, A. WijnandsAi??Ai??Ai??Shock Waves in TrombonesAi??Ai??,Ai??JASA: Journal of the Acoustical Society of America, vol. 99 , nAi?? 3, Mars , 1995
  • M. Verge, B. Fabre, W. Mahu, A. Hirschberg, R. Van Hassel, A. WijnandsAi??Ai??Ai??Jet Formation and Jet Velocity Fluctuations in a Flue Organ PipeAi??Ai??,Ai??JASA: Journal of the Acoustical Society of America, vol. 95, nAi?? 2, Fevrier, 1994
  • G. Weinreich, R. CaussAi??Ai??Ai??Ai??Elementary Stability Considerations for Bowed-String MotionAi??Ai??,Ai??JASA: Journal of the Acoustical Society of America, vol. 2 , nAi?? 89, Fevrier , 1991