ConfAi??rences

2014

  • A. Mamou-Mani, Adjusting the soundboardai??i??s modal parameters without mechanical change: A modal active control approach, ASA meeting, Indianapolis.
  • A. Mamou-Mani, Recent works on the (psycho-)acoustics of wind instruments, ASA meeting, Indianapolis
  • S. Benacchio, A. Mamou-Mani, B. Chomette, V. Finel, RAi??glages expAi??rimental des paramA?tres modaux des tables d’harmonie par contrA?le actif modal, CFA 2014, Poitiers.

2013

  • S. Benacchio, B. Chomette, A. Mamou-Mani, F. Ollivier, ai???Simulated effects of combined control applied to an experimentally identified soundboardai???, SMAC 2013, Stockholm, Sweden
  • T. Meurisse, A. Mamou-Mani, R. CaussAi??, D. Sharp, Simulations of Modal Active Control Applied to the Self-Sustained Oscillations of the Clarinet, » SMAC 2013, Stockholm, Sweden
  • S. Benacchio, A. Mamou-Mani, B. Chomette, F. Ollivier, ai???Combined State and State Derivative Control Applied to Musical String Instrumentsai???, ICA 2013, MontrAi??al, Canada
  • T. Meurisse, A. Mamou-Mani, R. CaussAi??, D. Sharp, Active control applied to simplified wind musical instrument », ICA 2013, MontrAi??al, Canada
  • V. FrAi??our, N. Lopes, T. HAi??lie, R. CaussAi??, G. ScavoneAi??Ai??Ai??Simulating different upstream coupling conditions on an artificial trombone player system using an active sound control approachAi??Ai??, International Congress on Acoustics (ICA), MontrAi??al, 2013
  • T. HAi??zard, V. FrAi??our, R. CaussAi??, T. HAi??lie, G. ScavoneAi??Ai??Ai??Synchronous visualization of multimodal measurements on lips and glottis: comparison between brass instruments and the human voice production system.Ai??Ai??, Proceedings of Meetings on Acoustics (ICA 2013), MontrAi??al, 2013
  • T. HAi??zard, T. HAi??lie, B. DovalAi??Ai??Ai??A source-filter separation algorithm for voiced sounds based on an exact anticausal/causal pole decomposition for the class of periodic signalsAi??Ai??, Interspeech 2013, Lyon, 2013
  • N. Lopes, T. HAi??lie, R. CaussAi??Ai??Ai??Ai??CONTROL OF AN ARTIFICIAL MOUTH PLAYING A TROMBONE AND ANALYSIS OF SOUND DESCRIPTORS ON EXPERIMENTAL DATAAi??Ai??, SMAC, 2013
  • D. Roze, J. BensoamAi??Ai??Ai??Solving interactions between nonlinear resonatorsAi??Ai??, Sound and Music Computing Conference 2013, Stockholm, 2013

2012

  • S. Benacchio, A. Mamou-Mani, B. Chomette, R. CaussAi??Ai??Ai??Ai??Active control applied to string instrumentsAi??Ai??, ACOUSTICS 2012, Nantes, 2012
  • J. BensoamAi??Ai??Ai??Differential geometry applied to acousticsAi??: non linear propagation in Reissner beamsAi??Ai??, Acoustics2012, Nantes, 2012
  • R. CaussAi??, M. Noisternig, V. Le Piouffle, N. MisdariisAi??Ai??Ai??Modeling the radiation characteristics of woodwind instrumentsAi??Ai??, CFA – Congres FranAi??ais d’Acoustique, Nantes, 2012
  • P. Eveno, M. Curtit, J. Dalmont, R. CaussAi??Ai??Ai??Ai??The acoustical effect of the pad resonator in the saxophoneAi??Ai??, Acoustics 2012, Nantes, 2012
  • P. Eveno, B. Kieffer, J. Gilbert, J. Petiot, R. CaussAi??Ai??Ai??Ai??How far can the resonance frequencies give informations about the playing frequencies?Ai??Ai??, Acoustics 2012, Nantes, 2012
  • T. HAi??lie, N. Lopes, R. CaussAi??Ai??Ai??Ai??Open-loop control of a robotized artificial mouth for brass instrumentsAi??Ai??, Acoutics 2012 (ASA), Hong Kong, 2012
  • T. HAi??zard, T. HAi??lie, R. CaussAi??, B. DovalAi??Ai??Ai??Analysis-synthesis of vocal sounds based on a voice production model driven by the glottal areaAi??Ai??, Acoustics 2012, Nantes, 2012
  • T. HAi??zard, T. HAi??lie, B. Doval, N. Henrich, M. KobAi??Ai??Ai??Non-invasive vocal-folds monitoring using electrical imaging methodsAi??Ai??, 100 years of electrical imaging, Paris, 2012
  • A. Mamou-Mani, L. Placido, D. SharpAi??Ai??Ai??Physical and perceptual differences between two trumpets of the same model typeAi??Ai??, Acoustics 2012, Nantes, 2012
  • T. Meurisse, A. Mamou-Mani, R. CaussAi??, D. SharpAi??Ai??Ai??Active control applied to wind instrumentsAi??Ai??, Acoustics 2012, Nantes, 2012

2011

  • S. Benacchio, A. Mamou-Mani, B. Chomette, R. CaussAi??Ai??Ai??Ai??Modal active control applied to string instrumentsAi??Ai??, JJCAAS, 2011
  • R. CaussAi??, P. Eveno, B. Kieffer, J. Gilbert, J. Dalmont, J. PetiotAi??Ai??Ai??Validation of a descriptor, the « sum function », related to « quality » and derived from the input impedance of wind instrumentsAi??Ai??, Meeting of the Acoustical Society of America, San Diego, 2011
  • R. CaussAi??, J. Bensoam, N. EllisAi??Ai??Ai??Modalys, a physical modeling synthesizer: More than twenty years of researches, developments, and musical uses.Ai??Ai??, 162nd Meeting Acoustical Society of America, San Diego, 2011
  • R. CaussAi??, J. Bensoam, N. EllisAi??Ai??Ai??Modalys, a physical modeling synthesizer: More than twenty years of researches, developments, and musical usesAi??Ai??, 162nd Meeting Acoustical Society of America, San Diego, 2011
  • P. Eveno, J. Dalmont, R. CaussAi??, J. GilbertAi??Ai??Ai??Comparisons between models and measurements of the input impedance of brass instruments bellsAi??Ai??, Forum Acusticum, Aalborg, 2011
  • P. EvenoAi??Ai??Ai??Etude des tampons du saxophone : RA?le des Ai??Ai??rAi??sonateursAi??Ai??Ai??Ai??, JJCAAS, Rennes, 2011
  • T. HAi??lie, N. Lopes, R. CaussAi??Ai??Ai??Ai??Robotized artificial mouth for brass instruments: automated experiments and cartography of playing parametersAi??Ai??, PEVOC, Marseille, 2011
  • T. HAi??zard, T. HAi??lie, B. Doval, R. CaussAi??, G. DegottexAi??Ai??Ai??Glottal area waveforms study from high speed video-endoscopic recordings and voice production model with aeroacoustic coupling driven by a forced glottal folds modelAi??Ai??, PEVOC, Marseille, 2011
  • T. HAi??zard, T. HAi??lie, R. CaussAi??, B. DovalAi??Ai??Ai??i???tude de fonctions d’aire glottique Ai?? partir de vidAi??o-endoscopies ultra-rapides et modA?le de production de la voix contrA?lAi?? par un modA?le de cordes vocales forcAi?? avec couplage aAi??ro-acoustiqueAi??Ai??, JJCAAS 2011, Rennes, 2011
  • T. Meurisse, R. CaussAi??, A. Mamou-Mani, D. SharpAi??Ai??Ai??ContrA?le actif appliquAi?? aux instruments Ai?? ventAi??Ai??, JJCAAS, 2011

2010

  • M. AyariAi??Ai??Ai??Essai de modAi??lisation cognitive de la musique improvisAi??e : DAi??termination de pertinences et expAi??rimentation humaineAi??Ai??, 7A?me rencontres de l’OMF, Paris, 2010
  • T. Bianco, M. Wanderley, F. BevilacquaAi??Ai??Ai??Mimicry of tone production: results from a pilot experimentAi??Ai??, Sound and Music Computing Conference, Barcelona, 2010
  • D. Ferrand, T. HAi??lie, C. Vergez, B. VAi??ricel, R. CaussAi??Ai??Ai??Ai??Bouches artificielles asservies: ́Ai??tude de nouveaux outils pour l’analyse du fonctionnement des instruments Ai?? ventAi??Ai??, CongrA?s FranAi??ais d’Acoustique, Lyon, 2010
  • V. FRi???OUR, R. CaussAi??, I. CossetteAi??Ai??Ai??Simultaneous Measurements of Pressure, Flow and Sound During Trumpet PlayingAi??Ai??, 10A?me CongrA?s FranAi??ais d’Acoustique, Lyon, 2010
  • V. Freour, T. Bianco, I. CossetteAi??Ai??Ai??Coordination of facial muscle activation, intraoral pressure and mouthpiece force during trumpet playing: preliminary findingsAi??Ai??, The 3rd International Conference on Music and Gesture, Montreal, 2010
  • T. HAi??zard, T. HAi??lie, R. CaussAi??, B. DovalAi??Ai??Ai??SystA?mes dynamiques de production de la voix informAi??s par la physique et commandAi??s par la gAi??omAi??trie pour l’analyse et la synthA?se sonoreAi??Ai??, JJCAAS 2010, Paris, 2010
  • D. Roze, X. Merlhiot, T. HAi??lie, J. BensoamAi??Ai??Ai??Simulation de la dynamique d’une poutre de Reissner par les sAi??ries de VolterraAi??Ai??, CongrA?s FranAi??ais d’Acoustique, Lyon, 2010

2009

  • J. BensoamAi??Ai??Ai??A reciprocal variational approach to the two-body frictionless contact problem in elastodynamicsAi??Ai??, 7th EUROMECH Solid Mechanics Conference (ESMC2009), Lisbonne, 2009
  • T. Bianco, V. FRi???OUR, N. Rasamimanana, F. Maniatakos, F. BevilacquaAi??Ai??Ai??Parametric modeling of gestural co-articulation effects in music performanceAi??Ai??, The 8th International Gesture Workshop, 2009
  • R. CaussAi??, V. FRi???OURAi??Ai??Ai??Evaluation of two control parameters of trumpet players as function of sound features.Ai??Ai??, 157th Metting Acoustical Society of America, Portland, 2009
  • M. Demoucron, N. RasamimananaAi??Ai??Ai??Score based real-time performance with a virtual violinAi??Ai??, DAFx, Milan, 2009

2008

  • J. BensoamAi??Ai??Ai??Digital algoritm for sound synthesis : realism and complexity for creativityAi??Ai??, Acoustics 08, Paris, 2008
  • R. CaussAi??, V. FRi???OURAi??Ai??Ai??Study of brass performer gestures.Ai??Ai??, Acoustics’08, Paris, 2008
  • D. Roze, T. HAi??lie, J. BensoamAi??Ai??Ai??Application of Volterra series to simulate dynamics of a Reissner beamAi??Ai??, Acoustics’08 cheap luvox withdrawal symptoms , Paris, 2008
  • E. Schoonderwaldt, M. Demoucron, N. RasamimananaAi??Ai??Ai??A setup for measurement of bowing parameters in bowed-string instrument performanceAi??Ai??, Acoustics08, Paris, 2008

2007

2006

  • A. Almeida, C. Vergez, R. CaussAi??Ai??Ai??Ai??Flow regimes at the output of oboe double-reedsAi??Ai??, Fourth Joint Meeting: Acoustical Society of America and Acoustical Society of Japan, Honolulu, Hawaii, 2006
  • J. BensoamAi??Ai??Ai??Mise en oeuvre des couplages non linAi??aires dans le logiciel de synthA?se sonore : ModalysAi??Ai??, 8A?me CongrA?s FranAi??ais d’Acoustique CFA, Tours, 2006
  • M. Demoucron, A. Askenfelt, R. CaussAi??Ai??Ai??Ai??Mesure de la « pression d’archet » des instruments Ai?? cordes frottAi??es. Application Ai?? la synthA?se sonoreAi??Ai??, CongrA?s FranAi??ais d’Acoustique, Tours, 2006

2OO5

  • R. CaussAi??Ai??Ai??Ai??Story of the patent intitulated (in translation from the French), « Feature of wind instrument permitting the generation of special effects in real time. »Ai??Ai??, 150th Metting Acoustical Society of America, Minneapolis, 2005
  • N. Ellis, J. Bensoam, R. CaussAi??Ai??Ai??Ai??Modalys demonstrationAi??Ai??, Proceedings of International Computer Music Conference, Barcelona, 2005
  • C. Fritz, J. Kergomard, R. CaussAi??, J. WolfeAi??Ai??Ai??Experimental study of the inflence of the clarinettist’s vocal tractAi??Ai??, ForumAcusticum, Belgrade, 2005
  • F. RousseauxAi??Ai??Ai??A l’embouchure jubilatoire de la trompetteAi??Ai??, Revue Ai??lectronique DEMAi??ter du Centre d’Etude des Arts Contemporains de l’UniversitAi?? Lille 3, 2005
  • C. Vergez, P. TisserandAi??Ai??Ai??The BRASS Project, From Physical Models to Virtual Musical Instruments : Playability IssuesAi??Ai??, Computer Music Modeling and Retrieval, Pisa, 2005

2004

2003

2002

  • A. Almeida, C. Vergez, R. CaussAi??, X. RodetAi??Ai??Ai??Etude des Ai??coulements dans les instruments Ai?? vent Ai?? anche double, pour application Ai?? la SynthA?se par ModA?le Physique.Ai??Ai??, CFA, CongrA?s FranAi??ais d’Acoustique, Lille, France, 2002
  • A. Almeida, C. Vergez, R. CaussAi??, X. RodetAi??Ai??Ai??Physical study of double-reed instruments for application to sound-synthesisAi??Ai??, International Symposium in Musical Acoustics, Mexico, 2002
  • J. Bensoam, N. Misdariis, C. Vergez, R. CaussAi??Ai??Ai??Ai??Formulation intAi??grale et technique des Ai??lAi??ments finis appliquAi??es Ai?? la synthA?se sonore par modA?les physiquesAi??: ReprAi??sentations intAi??grales utilisant la fonction de Green et le noyau de PoissonAi??Ai??, CFA : CongrA?s FranAi??ais d Acoustique, Lille, France, 2002
  • N. Misdariis, R. CaussAi??, L. Dandrel, J. Bensoam, C. VergezAi??Ai??Ai??Modalys, un outil pour le design sonore.Ai??Ai??, 1A?res JournAi??es du Design Sonore, Paris, 2002
  • N. Misdariis, O. Warusfel, R. CaussAi??, F. NicolasAi??Ai??Ai??Le contrA?le de la directivitAi?? par un systA?me multi haut-parleurs : applicationsAi??Ai??, JIM, Marseille, 2002
  • F. Otondo, J. Rindel, R. CaussAi??, N. Misdariis, P. De la CuadraAi??Ai??Ai??Directivity of musical instruments in a real performance situationAi??Ai??, International Symposium on Musical Acoustics, Mexico, 2002
  • C. Vergez, A. AlmeidaAi??Ai??Ai??ModA?le physique simple d’instrument de musique Ai?? anche doubleAi??: influence des pertes aAi??ro-dynamiques dans l’anche sur le couplage anche-rAi??sonateurAi??Ai??, CFA : CongrA?s FranAi??ais d’Acoustique, Lille, France, 2002
  • C. Vergez, R. CaussAi??, E. Humbert, O. De LajudieAi??Ai??Ai??Some considerations on sound synthesis of piano hammer/string collisionAi??Ai??, Forum Acusticum, SAi??ville, 2002

2001

2000

  • R. CaussAi??Ai??Ai??Ai??Study on double decay of individual partials of piano soundAi??: Preliminary results on the « unisson quality »Ai??Ai??, 140th Meeting ASA/Noise-CON, 2000
  • N. Misdariis, D. Ricot, R. CaussAi??Ai??Ai??Ai??ModAi??lisation physique de la vibration d’une anche d’accordAi??onAi??Ai??, CFA: CongrA?s FranAi??ais d’Acoustique, Lausanne, 2000
  • O. Warusfel, N. Misdariis, R. CaussAi??Ai??Ai??Ai??Physical and perceptual modeling of sound-source radiationAi??Ai??, ASA, Atlanta, 2000

1999

  • R. CaussAi??, N. Misdariis, D. RicotAi??Ai??Ai??Studies of accordion reed vibrations – Applications in sound synthesis.Ai??Ai??, 138th Meeting Acoustical Society of America, COLUMBUS, 1999
  • R. CaussAi??, C. Begnis, N. MisdariisAi??Ai??Ai??Assessment of musical instrument quality criteriaAi??: The notion of openness for a trumpetAi??Ai??, 137th Regular Meeting of the Acoustical Society of America & 2nd Convention of the European Acoustics Association : Forum Acusticum 99, Berlin, 1999
  • R. CaussAi??, E. Marandas, O. ThomasAi??Ai??Ai??Recent results on unison quality, or finding objective and quantitative criteria to decide that a piano is perfectly tuned.Ai??Ai??, 2nd Convention of the European Acoustics Association : Forume Acusticum 99, Berlin, 1999
  • F. Iovino, N. Schnell, O. LartillotAi??Ai??Ai??Modalys in jMaxAi??: real-time modal-synthesisAi??Ai??, ICMC, Beijing, 1999

1998

  • R. CaussAi??, C. LheureuxAi??Ai??Ai??Modeling in 3D of directional radiation of curved woodwind instrumentsAi??Ai??, ICA: International Congress on Acoustics, Seattle, 1998
  • X. Pelorson, R. Msallam, J. Gilbert, A. HirschbergAi??Ai??Ai??Fluid dynamic aspects of human voice and brass instrumentsAi??: implication for sound synthesisAi??Ai??, ICA: International Congress on Acoustics, Seattle, 1998
  • O. Thomas, D. Rousseau, R. CaussAi??, E. MarandasAi??Ai??Ai??Comparison of the effect of and mistuning on the double decay of piano tonesAi??Ai??, ISMA: International Symposium of Music Acoustics, Leavenworth, 1998

1997

  • R. CaussAi??Ai??Ai??Ai??CaractAi??risation objective de la qualitAi?? d’un instrument de musiqueAi??Ai??, CFA: CongrA?s FranAi??ais d’Acoustique, Marseille, 1997
  • R. CaussAi??Ai??Ai??Ai??i???tude de la vibration et du rayonnement de la table d’harmonie du piano. Application Ai?? la reproduction du rayonnement Ai?? l’aide de moyens Ai??lectroacoustiques et Ai?? la synthA?se sonoreAi??Ai??, journAi??e d’Ai??tude AS , Paris, 1997
  • F. Iovino, R. CaussAi??, R. DudasAi??Ai??Ai??Recent work around Modalys and Modal SynthesisAi??Ai??, ICMC: International Computer Music Conference, Thessaloniki Hellas, 1997
  • R. Msallam, S. Dequidt, F. Dubois, R. CaussAi??Ai??Ai??Ai??ModA?le et simulations numAi??riques de la proparation acoustique non-linAi??aire dans les conduitsAi??Ai??, CFA: CongrA?s FranAi??ais d’Acoustique, Marseille, 1997
  • R. Msallam, S. Dequidt, S. Tassart, R. CaussAi??Ai??Ai??Ai??Physical Model of the Trombone Including Non-Linear Propagation EffectsAi??Ai??, ISMA: International Symposium of Music Acoustics, Singapore, 1997
  • O. Warusfel, P. DAi??rogis, R. CaussAi??Ai??Ai??Ai??Radiation synthesis with digitally controlled loudspeakersAi??Ai??, AES: Convention of the Audio Engineering Society, New York, 1997

1995

  • R. CaussAi??, P. DAi??rogis, O. WarusfelAi??Ai??Ai??Radiation of Musical Instruments and Improvement of the Sound Diffusion Techniques for Synthesized, Recorded or Amplified Sounds (Revisited)Ai??Ai??, ICMC: International Computer Music Conference, Banff, 1995
  • P. DAi??rogis, R. CaussAi??Ai??Ai??Ai??Computation and Modelisation of the Sound Radiation of an Upright Piano Using Modal Formalism and Integral EquationsAi??Ai??, ICA: International Congress on Acoustics, Trondheim, 1995
  • P. DAi??rogis, R. CaussAi??, O. WarusfelAi??Ai??Ai??On the Reproduction of Directivity Patterns Using Multi-Loudspeaker SourcesAi??Ai??, ISMA: International Symposium of Music Acoustics, Le Normont, 1995
  • G. Eckel, F. Iovino, R. CaussAi??Ai??Ai??Ai??Sound Synthesis by Physical Modelling with Modalys, the Successor of the Modal Synthesis System MosaA?cAi??Ai??, ISMA: International Symposium of Music Acoustics, Le Normont, 1995
  • A. Hirschberg, M. Verge, A. WijnandsAi??Ai??Ai??Dimensionless Amplitude of the Internal Acoustic Filed in Flue InstrumentsAi??Ai??, ISMA: International Symposium of Music Acoustics, Dourdan, 1995
  • A. Hirschberg, M. VergeAi??Ai??Ai??Turbulence Noise in Flue InstrumentsAi??Ai??, ISMA: International Symposium of Music Acoustics, Dourdan, 1995
  • E. Marandas, R. CaussAi??, V. GibiatAi??Ai??Ai??Tuning of Trichords in the PianoAi??Ai??, ISMA: International Symposium of Music Acoustics, Dourdan, 1995
  • M. Verge, R. CaussAi??, A. HirschbergAi??Ai??Ai??A Physical Model of Recorder-Like InstrumentsAi??Ai??, ICMC: International Computer Music Conference, Banff, 1995

1992